Sunday, July 14, 2013

Customized, Aesthetics


                Customization is a major component of first-world consumption and modern marketing approaches. We seek to align our internal vision of ourselves with an external set of symbols and objects in order to tell the world our (idealized) story. This is nothing new- many a major archeological or anthropological revelation reveals adornment and enhancement of the body. What has changed is just how truly personal or "custom" those adornments and enhancements are. For one, in contemporary life, the need for adornment and personalization extends well beyond the body. It occupies square feet in the hundreds or thousands, in acres and estates. We wish to have ourselves reflected out into vehicles, properties and lifestyles. While designers and product development teams compile focus groups and paint philosophies upon consumer objects, their attempts to feed the public exactly the flavor it wants remains evasive and uncommon.

                The popularity and ubiquity of iPhone cases underscores the reality that even among the most sophisticated and hermetically sealed objects there remains the urge to customize. When objects are mass produced the familiarity of the object can become loathesome, the act of selecting a singular good from a crowd of others being insufficient to distinguish oneself. From this springs up the marketplace of adornment for products, jewelry for technology. We extend our projected self through the wall of the laptop screen, offering up the gaze of our personality via stickers or brand to the strangers we are partitioned from.


Google Image results for iPhone case


                Much of the customization in the United States remains an act of consumption, merely layering one bought and sold bit of plastic on top of another. As the number of variables in the layered consumption goes up, the likelihood of confronting a perfect clone out in the world goes down. We can preserve the sense of ourselves as truly unique without parallel peers while still existing within the scope of common aesthetic standards.  Creative rather than consumptive customization does not mesh so neatly with the surface finishes of mass produced goods. It isn't always a piece of plastic mated perfectly to another. It often sticks out, being made in another way with alternative intent. This often elicits a negative reaction to something jarringly  'out of place' but is simply at peace with existing on its own terms  as a specific object unblended with the expectations of its surroundings. 


Custom built pheasant coop

The idiosyncratic self reflected publicly is met as a step too far, an uncomfortable intrusion of sincerity, a vulgarity of the individual self confronting the collective public. It is the sore thumb sticking in a sore eye that infringes the aesthetic standards of neighbors and stimulates gossip. The truly bespoke is not embraced by the customary, but instead exists as a small but meaningful violation of standards.